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Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.

 

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Jean Auguste Dominique Ingres Portrait of Napoleon Bonaparte, The First Council. oil painting

Painting ID::  10473

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Jean Auguste Dominique Ingres
Portrait of Napoleon Bonaparte, The First Council.
1804 Oil on canvas. Musee des Beaux-Arts Liege, France
   
   
     

 

 

Jean Auguste Dominique Ingres Portrait of Mademoiselle Riviere. oil painting

Painting ID::  10474

X 
 

Jean Auguste Dominique Ingres
Portrait of Mademoiselle Riviere.
1805. Oil on canvas. Louvre
   
   
     

 

 

Jean Auguste Dominique Ingres Portrait of Napoleon on the Imperial Throne oil painting

Painting ID::  10475

X 
 

Jean Auguste Dominique Ingres
Portrait of Napoleon on the Imperial Throne
1806. Oil on canvas. Musee de l'Arm??e, Paris
   
   
     

 

 

Jean Auguste Dominique Ingres The Bather of Valpincon oil painting

Painting ID::  10476

X 
 

Jean Auguste Dominique Ingres
The Bather of Valpincon
1808. Oil on canvas. Louvre, Paris, France
   
   
     

 

 

Jean Auguste Dominique Ingres Jupiter and Thetis. oil painting

Painting ID::  10477

X 
 

Jean Auguste Dominique Ingres
Jupiter and Thetis.
1811.Oil on canvas Museum Granet, Aix-en-Provence,France
   
   
     

 

 

Jean Auguste Dominique Ingres Le Grande Odalisque oil painting

Painting ID::  10478

X 
 

Jean Auguste Dominique Ingres
Le Grande Odalisque
1814. Oil on canvas Louvre, Paris, France
   
   
     

 

 

Jean Auguste Dominique Ingres Portrait of Madame de Senonnes. oil painting

Painting ID::  10479

X 
 

Jean Auguste Dominique Ingres
Portrait of Madame de Senonnes.
1814-16Oil on canvas Museum des Beaux-Arts, France
   
   
     

 

 

Jean Auguste Dominique Ingres Roger Delivering Angelica. oil painting

Painting ID::  10480

X 
 

Jean Auguste Dominique Ingres
Roger Delivering Angelica.
1819. Oil on canvas. Louvre, Paris,
   
   
     

 

 

Jean Auguste Dominique Ingres The Virgin of the Host oil painting

Painting ID::  10481

X 
 

Jean Auguste Dominique Ingres
The Virgin of the Host
1841. Oil on canvas. The Pushkin Museum of Fine Art, Moscow.
   
   
     

 

 

Jean Auguste Dominique Ingres Odalisque and Slave oil painting

Painting ID::  10482

X 
 

Jean Auguste Dominique Ingres
Odalisque and Slave
1842. Oil on canvas Walters Art Gallery, Baltimore, MD, USA
   
   
     

 

 

Jean Auguste Dominique Ingres Portrait of Countess D'Haussonville. oil painting

Painting ID::  10483

X 
 

Jean Auguste Dominique Ingres
Portrait of Countess D'Haussonville.
1845. Oil on canvas Frick Collection, NY
   
   
     

 

 

Jean Auguste Dominique Ingres Portrait of Baroness James de Rothschild oil painting

Painting ID::  10484

X 
 

Jean Auguste Dominique Ingres
Portrait of Baroness James de Rothschild
1848. Oil on canvas Collection of Guy de Rothschild, Paris, France
   
   
     

 

 

Jean Auguste Dominique Ingres Portrait of Madame Moitessier Standing oil painting

Painting ID::  10485

X 
 

Jean Auguste Dominique Ingres
Portrait of Madame Moitessier Standing
1851. Oil on canvas National Gallery of Art Washington, DC, USA
   
   
     

 

 

Jean Auguste Dominique Ingres The Source. oil painting

Painting ID::  10487

X 
 

Jean Auguste Dominique Ingres
The Source.
1856 Oil on canvas. Louvre
   
   
     

 

 

Jean Auguste Dominique Ingres Portrait of Madame Moitessier Sitting. oil painting

Painting ID::  10488

X 
 

Jean Auguste Dominique Ingres
Portrait of Madame Moitessier Sitting.
1856.Oil on canvas National Gallery,London
   
   
     

 

 

Jean Auguste Dominique Ingres The Turkish Bath oil painting

Painting ID::  10489

X 
 

Jean Auguste Dominique Ingres
The Turkish Bath
1862. Oil on wood Louvre, Paris, France
   
   
     

 

 

Jean Auguste Dominique Ingres Jupiter and Antiope oil painting

Painting ID::  10811

X 
 

Jean Auguste Dominique Ingres
Jupiter and Antiope
1851, 13" x 17 1/4" (32.5 x 43.5 cm), Bequest of Paul Cosson, 1926. Deposit from the Louvre.
   
   
     

 

 

Jean Auguste Dominique Ingres La Grande Odalisque (mk04) oil painting

Painting ID::  20379

X 
 

Jean Auguste Dominique Ingres
La Grande Odalisque (mk04)
Mixed media on paper, 48x63cm Musee Prcasso,Paris
   
   
     

 

 

Jean Auguste Dominique Ingres Portrait of Ins Moitessier (mk04) oil painting

Painting ID::  20380

X 
 

Jean Auguste Dominique Ingres
Portrait of Ins Moitessier (mk04)
1856 Oil on canvas, 120x92.1cm National Gallery. London
   
   
     

 

 

Jean Auguste Dominique Ingres Portrait fo Jean-Marie-Joseph Ingres (mk04) oil painting

Painting ID::  20385

X 
 

Jean Auguste Dominique Ingres
Portrait fo Jean-Marie-Joseph Ingres (mk04)
1804 Oil on canvas, 55x47cm Musee Ingres,Montauban
   
   
     

 

  1  2  3  4  5  6  7  8     Next

 

Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.